The Purple Picassos
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Sydney Joslin-Knapp, Brandi Dale, Tony Hoogsteden, Ray Graetz, Rosie Rodriguez, Tim Brown, and Whitney Taylor with the assistance and oversight of resident artist Katherine Mann and student artist Emily Burkman are creating large-scale paintings on paper and canvas with splashes of acrylic paint, patterns, block prints, and more.

Links

Katherine Mann
The Blue Sky Project
To Me, You Are A Work of Art (Rodney)
Foxcroft Video Installation (Malic)
DaytonPaperStarlings (Lisa)
I look closely and I see that I have changed (Alan)

Archive

Photos by: Whitney Taylor
Layout by: vehemency

Wednesday, July 1, 2009, 7:26 PM
Our Process #1

While we spend a lot of time creating patterns and doing drawing exercises to warm up our creative juices, I thought I'd write first about one of the most exciting parts of beginning a painting: the pour! If you've seen Katherine's work, you'll soon realize how coordinated and designed it truly is despite the randomness of the individual elements. Yet, she --and now us-- lets gravity and water do the initial heavy lifting.

First, we mix our desired colors and thin the acrylic paint with water. Then, we pour! Sometimes we splash, splotch, or splatter, and other times we toss, hurl, or dribble. Our movements create a moving field of color on the paper as the watery pigment pools or forms rivulets. The paper buckles into hills and valleys, and we've suddenly got a living landscape at our feet! We allow the paper to dry, which may take several days, and the unique geography of the paper creates the forms into which we work additional masses of color and pattern.





--Emily

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